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A man walked down the street in Miami Beach the other day. He appeared preoccupied, a bit hurried, as you might be too if you were about to take a risk that no man ever had.

He had a bronze shaved head, a set of wide and sloping shoulders and a vault for a chest, but it was his left leg that left a question in his wake. Emblazoned on his calf was a rainbow-colored tattoo of a topless mermaid inside a hammerhead shark.

There was a story behind it, of course. It was almost—oh, if only it were—a myth. It was full of mystery and death, magical twists and turns, but whenever it twisted and turned too much, one had only to remember the simple question that began it: What's the half-naked woman doing inside the hammerhead shark?

We could start with the risk. With a man slipping into the ocean next month off Miami Beach, about to enter a trap where he can't breathe, speak, see or smell. A man atop a 56-story building who's heading all the way down to the cellar, then back to the roof, only the building is water, all water, and he has no scuba tank. And no wife, because she never returned from the trap. And no sleep, because of his anguish and the media and Internet firestorms over his role in her death, and the resulting lawsuit. Yes, we could start by asking how it happens that the last thing a man in the midst of such grief should be doing becomes his only way out of it and why—here, today, a few billion years into the evolution of life on earth—we've come to this, the ritualized risking of death: extreme sports.

But I've always felt it's better to start with the half-naked woman.

Fully clothed, at this point, of course. Twenty-one years old. Staring in disbelief at a poster at a university in La Paz, Mexico, seven years ago. Him. There. On the poster. The centerpiece of her marine-biology thesis on how the human body adapts to survive at extreme depths. The risk taker. Pi-PEEN, as Spanish speakers pronounced his nickname. Pipín Ferreras.

Who could Audrey Mestre turn to and tell what was stirring inside her? Look, that's him, this legendary Cuban she'd been up all night reading about for months, this guy who could fill his lungs with 8.2 liters of air—nearly twice as much as a normal human being—and dive deeper than anyone else on earth; this guy who'd been in movies and TV shows and scientists' studies, this total stranger she'd started dreaming about and somehow. . .fallen in love with. Coming to Cabo San Lucas, the poster said, to attempt another world-record dive, just a few hours' drive away. What coincidence! No. That couldn't be. What fate.

She found herself on a bus packed with peasants and dogs and chickens, chugging toward Cabo. O.K., she wouldn't make a fool of herself. Wouldn't stay long, wouldn't act on this fantasy flitting through her head: the mermaid and the fish man.

She got off the bus, checked into a cheap hotel and headed toward the wharf. Amazing. Pipín was offering to give novices a couple of hours of instruction and then let them observe one of his training dives. It was like Michael Jordan's saying, "Anyone want to let me teach you to play ball, then stand under the basket and watch me scrimmage?" Audrey watched, close up, as he slid into the water and ventilated to prepare for his dive, his lungs and windpipe producing the sound of a bicycle tire being pumped with air: in with the oxygen he'd need to last for nearly three minutes and the 858 feet of water, round-trip, he hoped to cover. Out with the carbon dioxide and the thoughts that could kill him. Because where he was going, panic could burn up those 8.2 liters of air in seconds, emotion could devour them in a minute, and even a stray thought could stir his heartbeat and consume the oxygen he'd need to make those last few feet.

She watched him wrap his knees around the crossbar of an aluminum sled, close his eyes and raise one hand to the metal frame overhead: a religious posture. She knew by heart the religion's history, how man for centuries had been diving for sponge and fish and pearls until Raimondo Bucher, a Hungarian air force officer naturalized as an Italian citizen, dived 30 meters on a dare in 1949. With that act, man realized he could dive for something far more important than sponge or fish or pearls—he could dive for ego—and competitive freediving, or submerging without the aid of an air tank, was born.

Pipín took one last gulp of air, then vanished. But Audrey had absorbed her subject so completely that she could shut her eyes and see it all: The sled gathering speed, gliding down a cable anchored with a 100-pound weight, a contraption Pipín had helped devise so that he—and fewer than a dozen others in the world who dedicated themselves to No Limits, the most extreme of the freediving disciplines—could bore deeper and faster than legs and fins could propel him. Pipín flying past a few scuba divers stationed at intervals along the cable, safety assistants who could do only so much if trouble occurred, because you can't make an unconscious man breathe. Pipín letting water flood his nasal passages and ear tubes to stave off the searing pain and equalize the relentlessly increasing pressure that could rupture his eardrums. Pipín's heart rate slowing to 50. . .40. . .30. . .20 beats a minute, his lungs shriveling to the size of potatoes. His hand, when he reached the bottom, opening an air-tank valve that inflated a lift bag that would rocket him back up.

He burst through the surface in his neoprene wet suit, a missile from the abyss. He barely seemed to notice her.

Maybe she could go just a little deeper. Ask him a question or two, make her thesis shine. She watched from across the table as he sat beside his girlfriend, the blonde knockout, the jazz singer.

What good fortune that Pepe Fernandez, the chief of Pipín's safety divers, had gotten an eyeful of Audrey in her bathing suit and invited her to tag along with the crew for dinner and drinks. No. What fate.

The jazz singer rose to sing with her band. Audrey took a deep breath. She'd grown up just outside Paris, the only child of scuba-diving parents and the granddaughter of a champion spearfisherman, crazy for dancing and for water and for her dream of becoming an Olympic synchronized swimmer. But she'd contracted typhoid fever at 14 after her family moved to Mexico City, just as she entered her growth spurt, and it had left her with scoliosis and a spine that swerved like an S.

For four years she was trapped, pinched inside a hard plastic corset. Her right eyelid drooped and her vision went double as her bewildered body produced antibodies that could locate no infection and settled in her eye. She couldn't bear it, finally—all the wrecking of her body and her dream. She was found in the school bathroom, blood puddling from her slit wrists.

There was, she came to realize, one place where she could escape the trap. For hours each day in the summers she spent on the Mediterranean coast with her grandfather, she flung off the corset, strapped on the scuba tank and slipped into the sea, and everything again seemed possible. She swam through the fire of shame and came out the other side, a sweet and shy 18-year-old. In the pictures she sketched, she was a mermaid.

She stared at the empty seat beside the fish man as the jazz singer started to wail. Trembling, she began to ask him questions. Pipín purred. Who was this young beauty who seemed to know so much about him? Audrey glowed. He spoke of the sea as she had experienced it, a magical realm where a human might spring free from the prison of self. Somehow France came up, and he launched into a tirade about the arrogance of the French, then paused and asked Audrey what part of Mexico she was from.

"France," she said, smiling.

Suddenly, the undertow had her. That's what Pipín did: He grabbed time and love and destiny and yanked them in his wake. Suddenly they were heading back to her hotel together, Pipín anxious to atone for his blunder. Suddenly they were in her bed.

Suddenly the blonde jazz singer was packing the next day and leaving Pipín's hotel suite in a huff, and Audrey found herself in the woman's place. Suddenly she was on his boat a day later, kissing him after a training dive, when he bolted overboard—the safety diver whom he'd just met and hired, Massimo Berttoni, hadn't resurfaced after going down to retrieve the sled. Suddenly she was staring at death, handling it with more calm than anyone in his crew. Suddenly she was at the dead man's post, with Pipín's life in her hands: She was his new safety diver at 197 feet.

Suddenly she was on the phone, calling her parents in Mexico City to ask them to retrieve her furniture and dog and clothes and car from her apartment because she'd decided to drop out of college and fly to Miami to live with her thesis subject, and her shell-shocked parents were jumping on a plane to Cabo to see if she'd come down with typhoid fever again, or something worse, and when they arrived and asked this man Pipín what the mad rush was, he replied, "I don't live by a compass. I go with the wind. If I don't take her with me, it will be painful, but I know I won't come back for her. The magic is right here. Right now. You can't kill the magic and bring it back to life."

Then he popped a world-record 429-foot dive and they flew away together.

How long could they last before one of them came up for air? She'd never even had a boyfriend. He believed that he'd been selected to go on a quest by an undersea god.

"People have always told me that God lives in heaven," he wrote in a book. "Yet, as much as I have tried, I have never been able to see him. I have seen that other God, the one that lives down in the deepest blue of the submarine abyss, where I descend. . . . He gave me the mission of showing all humans how to discover their aquatic potential. . . . He gave me the skills to descend at ease into his realm of darkness, where he always shows his face as pure light."

It was one thing to take the plunge with such a man. Two wives and a slew of girlfriends had, but none had gone down far enough, and none had stayed under. He became disillusioned, or in need of someone else's touch to soothe his restless, lonely heart. His eye would stray. Once he awakened soaked in rubbing alcohol beside a girlfriend, her eyes ablaze as she held a lighter over him and screamed, "Who is she? Tell me now!"

Now it was Audrey waking up beside a man whose moods shifted faster than sky over ocean, a generous man who could make sudden friends—or enemies—for life. Who had to beat Italian rival Umberto Pelizzari's new record by 13 meters, right now, if Pelizzari had just beaten his by 12. A man who. . .wait a minute. Had she really seen what she thought she'd seen just before bedtime? Yes. A man who turned to his Santeria gods for guidance, summoning them with honey and cigar smoke and herbs and branches and bones and scraps of coconut shell, and a funny sort of song?

She got out of bed at dawn and headed to the kitchen. Coffee for Pipín. Coffee and fruit for the little statue of one of his gods when Pipín wasn't around to make the offering. She accommodated his myth: the knight on the underwater god's mission. She could even turn a blind eye to his wandering eye.

Their hands compulsively touched when they walked or sat. They were each other turned inside out, two souls melding parts to produce a whole: I'll take us around theworld. You'll see and do things beyond your dreams. I'll live in the tunnel. You'll order out for reality and a side of perspective. I'll exaggerate, tell the world that I achieved a record dive "with absolute self-control and an unyielding faith" thanks to a state of concentration in which "electric energy, magnetic energy and all the forces of nature converge to increase my biological capabilities." You'll cock an eyebrow, just enough. I'll make the cash flow. You'll keep the checkbook. I'll teach you to seize today. You'll remember my two promises yesterday and three appointments tomorrow. I'll dream up the world's deepest dive tank with a domed underwater disco where scuba dancers boogie in leaded, magnetized shoes. You'll find the shoemaker.

"She could find solutions just by looking in my eyes," Pipín would say. "I thought I'd go from girl to girl the rest of my life, because even the ones who were scuba divers had other priorities. Sooner or later the woman would ask, 'Why is your mind always there?' But not Audrey."

The magic kept coming. Three weeks after they fell in love, they were freediving with dolphins off the coast of Honduras in front of cameras for his new Mexican TV series, then with sea lions off the Galapagos and with humpback whales off the Dominican Republic. Well, at least she was. He watched in astonishment as the 45-ton whales cavorted with her in a watery waltz, then in vexation as they flinched from him—as if they sensed that she was the one who cried when shrimp died in the aquarium, the one who studied and sketched fish. . .and he was the one who speared them. She shed the air tank, bubbles and noise. She became the mermaid. Her drawings ripened. In one that she titled Pleasure Shared, she was naked, her hair fanning in the water, her back arched in abandon, her legs splayed beneath a shark.

A cloud hung over her enchantment, a gnawing fear: He feared nothing—not in the water. Standard diving protocol? Rules made for others. At any moment the man she loved could die. "I've seen world championship divers, and I've seen him," photographer and scuba diver Ron Everdij would say, "and they are not like him. It's like the difference between runners from Kenya and runners from the rest of the world. But one day he'll go wrong. He thinks he's invincible. He's like one of those people who's arrested for shoplifting and goes right back to the same store the next day."

Lying still in a swimming pool practicing apnea, the suspension of breathing, he could last more than seven minutes. But the pressure, both physical and mental, where he went—where World War II submarines would creak and groan—sliced that time in half. She watched him on their backyard patio on the waterway at the edge of Miami Beach as he prepared himself for this, pounding out stomach crunches and bench presses while he held his breath for one minute. . .two. . .2:30. . .and counted the contractions that rippled his diaphragm as his body screamed for air. He'd keep going—2:45. . .2:50—everything around him melting into gray soup, and it was only by the little trick he'd discovered, focusing on the fading backyard fence and the tall building beyond it and compelling them to return to their perpendicularity, that he could reach his record of 45 contractions, that he could hang on for just a few. . .ticks. . .more.

But sometimes, in the ocean, he miscalculated. He'd blacked out by descending too swiftly; or too slowly, when currents swept the cable off a vertical line; or too soon, before he'd recuperated from a previous dive. Sometimes his equipment malfunctioned. His cable had snapped. Many times his sled had gotten stuck, and once it had pile-driven him into knee-high mud 377 feet below. He'd been partially paralyzed for a half hour after he pinched his nostrils and blew so hard, trying to equalize, that air leaked into his brain. He'd died three times during No Limits dives, he said, convinced that Olokun, the Santeria undersea god, had brought him back to life each time in a bath of white light.

He'd suffered so many decompression hits when he went under on scuba tanks that a neurologist had warned him never to touch a tank again. Audrey, watching him strap another one on anyway, wondered if she should take a knife and slash the hoses. He often wouldn't bother to use Trimix—the combination of nitrogen, helium and oxygen that scuba divers are cautioned to use in place of compressed air at depths greater than 125 feet—or to slow down for the two-or three-hour ascents sometimes necessary to avoid the bends. His elbow and leg would begin to itch when he surfaced, a sign that nitrogen bubbles were trapped in his veins or his bones and that one day the bones might begin to snap like pencils.

Keep going deeper, his friends warned him, and you'll end up in a coffin, Pipín, if you're lucky. A wheelchair, Pipín, if you're not. But he'd scoff, even as he neared 40 and the blackouts multiplied. Audrey would push away his panicking crew when he surfaced unconscious, open his airway and blow on the skin around his mouth to stimulate his reflex to breathe, Pipín, breathe! Then wait and pray and wonder what made this man keep gambling.

She had to go deeper. It was the only way to understand him. She had to kiss him goodbye, when Cuban authorities forbade him to return, and fly to his homeland alone to trace his life.

She had to stand on the cliff overhanging Matanzas Bay—his backyard—and picture Francisco Ferreras, poised here in front of the boys who stared and sneered at him, about to take his first risk. It was 1969. He was seven. The boy who had found it so difficult to walk because his metatarsals were malformed and his feet jutted inward, was about to start running. The child who was mute until he finally uttered "pi-pin. . .pi-pin"—no, not a word, but close enough to celebrate and to turn into his nickname for life—was about to leave them all speechless. The trapped boy was about to spring free.

He peered down at the water. None of the kids gathered about him would dare this. But no one was there to stop him. Not his uncle, Dr. Panchin Guerra, who'd prescribed water therapy to trigger the boy's dormant motor skills and had been astounded when the child began to swim before he could walk. Not Haydee, the big-hipped black servant who was sure the Santeria ritual she'd snuck the boy off to had done the trick, the throbbing drums and animal sacrifices that had summoned Olokun, the old African god of the undersea and of good health, to cure the child. Not Pipín's father, who'd never lived with him in the big walled estate on the cliff and who'd soon be divorced from Pipín's mother. Not the mother herself, who left the house to work in Cuba's agriculture ministry each morning before Pipín woke up and didn't return until after he fell asleep—seven days a week.

Pipín took a deep breath. Then the boy with the orthopedic shoes and eyeglasses and rasping asthma flew off the cliff and plunged into the sea. The other children scanned the water in astonishment, then fear: Where was he? Pipín was pulling off Part II of his magic act, having darted into an underwater cave he'd discovered earlier beneath the cliff.

Audrey entered the cave with her video camera. Here he'd sat, in a space as big as a living room with a foot of air to breathe between the ceiling and the water's surface, relishing the thought of them all up there panicking, ashamed of themselves for all the shame they'd made him feel. Here he'd sat, filling the cave with his imagination and loneliness. At peace for once. It was like being in the trap again, cut off from the world and scarcely able to move, only it was a beautiful trap because he had contrived it. A beautiful aloneness because he'd arranged it.

But it was such brief magic. Because soon after he dived and made the world go away, his world went away from him. The grandmother, uncle and aunts who'd helped raise him fled Fidel Castro's regime for Florida. The servants who mothered him and introduced him to the old African gods were dispersed. He was placed in a boarding school that specialized in sports training so that he might pursue his proclivity for swimming. He returned to the underwater cave on weekends and in the summers, clutching a plastic bag of fruit so he could stay inside his lair longer and make loneliness lovelier still.

But he needed to enlarge his kingdom. He forged a mask by heating the rubber from Soviet boots and pressing two ovals of glass into it. He fashioned fins by cutting swaths from plastic boxes of frozen fish and binding them with screws filched from window frames. He rigged a speargun from a piece of pipe and elastic bands. He hardened his determination and deltoids by swimming laps for four hours a day at boarding school, where he was developing into one of Cuba's top junior swimmers, and in truth, just finding a way to exhaust his anxiety so he could sleep. By 13 his asthma and orthopedic shoes were gone, and so was his mother—she had moved to Mexico City for four years to serve as first secretary to the Cuban ambassador. Pipín's domain grew wider still.

Down he went after the big groupers and snappers lurking in the deep water. He learned to imitate their movements, to intuit their intentions, to stalk them in the dark caves they darted into to evade him. He became a shark. "For me, sharks aren't monsters, but partners," he'd say. "In my imagination I become one of them."

He emerged from the sea and tried to fit into the world of the two-legged land creatures. He scraped by in school until his final year, when he and his classmates were ordered to harvest sugarcane on a weekend when he'd planned another spearfishing expedition. Why am I learning math or history? he'd remember thinking. The only history I want to know is my history. I go underwater to feel a pleasure greater than any that life on land has to offer me. It is better than sex. He refused to join the harvest and was expelled.

His mother sobbed. The boy was trapped again. She was about to return to Cuba to become a university professor. His father was a judge. They'd both fought in the revolution and been decorated as heroes. How could their dropout son earn love and admiration? How could a spearfisherman be a hero? In the army, perhaps? He suffered a nervous breakdown and was discharged. In the working world, possibly? None of his jobs, diving for bosses who sent him down after sponge, lobsters and sunken treasure, lasted more than a year. In marriage, maybe? He took a dancer named Luisa into the underwater cave to make love to her for the first time, then married her at 19. It ended in a year and a half.

An Italian diving journalist on holiday in Havana saw how deep the 19-year-old Pipín could dive and hurried him to Cuban authorities, urging them to let the boy travel overseas and break the world record. They yawned. They'd never heard of such a sport. For six years they yawned as Pipín pestered them. Then came his moment. Cuba, unveiling a seaside resort in Cayo Largo in 1987, invited a group of international underwater photojournalists to publicize it. Sure, why not let that crazy fish man entertain them?

He scurried about the resort, a charming nobody promising photographers the chance to document the deepest dive ever without the aid of apparatus. Here, at last, was a chance to show his parents and everyone else.

Damned if he didn't—67 meters, 220 feet!—and if the photojournalists didn't send dispatches around the world. He was on fire now, lusting for bigger, deeper, farther, more. He busted the world record again a year later with a 226-foot dive.

He knew his limit was his anxious heart, his teeming brain. He studied controlled breathing techniques with a Hindu yogi. When he consulted Buddhist monks they told him, Learn to wait. Learn to wait? Pipín? Suddenly, as news of his exploits traveled, he was on diving magazine covers. Suddenly a yacht ornament for Cuban generals and politicians on fishing trips. Suddenly signing a sponsorship deal with Europe's largest diving equipment company, marrying an Italian beauty, hosting an Italian TV travel show.

Suddenly, in 1991, chalking up a world-record 377-foot No Limits dive, the first ever televised live in Europe. . .but still sure that his mother was unimpressed. Suddenly watching his second marriage go up in smoke, then two of his high-placed friends in the Cuban military getting executed for drug trafficking. Suddenly sweating bullets because they were his two buffers in a regime that could turn on him at any moment for the six cars and three houses he'd finagled with his new fame and riches. Suddenly stepping onto a friend's private plane in the Bahamas in 1993 and severing one more connection—to his homeland, his parents, his separated wife and three-year-old daughter—and defecting to the U.S.

When Audrey had heard all the stories and visited all his old diving haunts, she flew back to him in Florida. Full of wonder that she'd been granted entrance into hisworld, the one he'd created against all odds. Full of wondering: for how long?

Death crept closer. It found them again in Cabo San Lucas, of all places, where Pipín and Audrey had returned to reclaim Pipín's world record, to dip once more in the water where magic, eight months earlier, had struck. Pepe's body surfaced instead.

This wasn't like losing Berttoni, a stranger added as a safety diver on the fly. Pepe had been Pipín's fun-loving pal since they were teenagers in Cuba, his crew chief, the safety diver at the bottom, the only one deeper than Audrey—the man who'd introduced her to the king.

Oh, God, if only Jacques Mayol and Enzo Maiorca could've lived with the limits. If only the Frenchman and the Italian hadn't devised weighted sleds sliding down cables to smash the depth barriers in the '60s and '70s, Pipín's quest could've remained simple and pure, and nobody would've had to die. He might never have known the adrenaline rush of No Limits, never reached depths that were perilous even to men on tanks, depths that required all that equipment that could break and all those safety divers who could die.

But what had killed Pepe? Pipín theorized that venom from a scorpion bite Pepe had suffered the day before, which hadn't seemed to affect him, somehow had been activated by the pressure on his body at 260 feet. But the whispers soon began: that Pipín was cutting corners, that both Pepe and Berttoni might have died because they descended to unsafe depths the way their leader routinely did, breathing from a tank of compressed air instead of Trimix.

Nightmares wracked Pipín. He knew this second death of a crew member would be turned against him. He'd just broken with yet another institution—freediving's mainstream sanctioning body, AIDA—because his rival Pelizzari was behind it and because of his disagreement over some of the safety procedures that AIDA requires for certification of record dives. Pipín had just formed the International Association of Freediving (IAFD) despite howls that it was a dangerous conflict of interest for a man to act as his own sanctioning authority on a record attempt. But Pipín had seen Pepe go that deep without Trimix plenty of times, so that couldn't have caused his death, he insisted, and besides, in Pipín's world a man died because God decided it was his time.

Pepe was cremated. Audrey and the crew turned to Pipín. Well? Was the dive on or off? What do you do when your buddy dies trying to help you set a record?

Pipín turned to Audrey. She was the person he loved and trusted most, so it only made sense to ask her: When he dived, would she go one rung deeper and take Pepe's place?

She would. She did. He set another world record. But it wasn't deep enough.

Could Audrey take the next step? Would she leave the safety crew and become a No Limits diver too? Pipín asked her that one day. After all, it was better than sex. She was better than the young woman he was training on the sled. Besides, didn't it seem safer to be the diver on the sled than the diver saving the diver on the sled?

She didn't think long. Sure, she'd try it. Not for his reasons. Not to be singular, not to be separate—there wasn't a competitive bone in her body. To connect. With him. To inhabit his world completely. Wasn't it all or nothing with this man? "It's very difficult," she would write on her website, "to live with someone that experiences sensations unknown by the world, sensations that can't be described or shared. I thought that if I could enter his underwater world, I could be closer to him."

She began to train. He began to order her food when they went out to dinner. She led Pipín to their backyard Jacuzzi in 1997 and astonished him by lasting five minutes and 50 seconds submerged—a half minute longer than the female static apnea world record. They headed to the Cayman Islands for her maiden voyage, but suddenly Pipín, ascending from a scuba dive just minutes after a No Limits training dive, was losing consciousness on the boat, hitting his head, vomiting and shaking from a violent seizure. She found herself on an airplane back to Miami, sitting in a hospital room watching him twitch and slur for three days, then rise and walk out against doctors' advice, saying it was time to fly back to the Caymans and make their dives. With Pipín every accident became a reason to continue, every death a debt that could be repaid only by carrying on—never a signal to reassess, to slow down.

Audrey nailed her 263-foot dive a few days later, and bingo, she was the French female record holder. She loved it. Everything went away on a No Limits dive. Your worries. The world. Even your body. "You forget you have one," she told a reporter for, "and that is when you meet the other person who lives inside you, the one in control of everything: your mind." A year later, in 1998, she joined Pipín for a 378-foot tandem dive in Cabo San Lucas, and they were the deepest-diving duo ever. They married in '99. A glance, that was all they'd have to exchange in the water now, and each would know exactly what the other meant. She became the deepest female diver ever with a 412 1/2-foot plunge off the Canary Islands in 2000, surviving an 18-second fright when her sled got stuck at the bottom and safety diver Pascal Bernabe helped free her. She encored with a 427-footer off Fort Lauderdale a year later, extending her women's record and making her the fifth-deepest diver, of either sex, ever.

A startling thing was happening in her relationship with Pipín. She was the diver squeezing six workouts into a week while he blew off three. The one who could withstand 90 diaphragm contractions to his 45, could rev her heart rate to 200 while his max was 160. Who was unflappable even when Pipín ambushed her during training dives, springing out of nowhere at 375 feet to snatch her and test her composure. Who could read Egyptian history 20 minutes before a record dive while he couldn't absorb a letter from his mother for the two weeks before one of his. "It made me feel ashamed," he admitted. "How could she do that? She has the stronger mind. A perfect mind. I took her as a student, and she became the teacher."

Then came the audacity. Tanya Streeter of the Cayman Islands unfurled a 525-footer in August 2002, nearly 100 feet beyond Audrey's record dive. In the factionalizedfreediving universe, full of strife and ego, Streeter's record triggered more strife, more ego. AIDA anointed Streeter's dive the new world record for both sexes because she'd achieved it using AIDA's judging protocol and safety standards. Pipín's IAFD insisted, of course, that Pipín's dive of 531 1/2 feet in 2000 remained the record. To reclaim the female world record, Audrey would have to creep perilously close to Pipín's 531 1/2-foot IAFD record. Or. . .past it.

Imagine that. Audrey taking Pipín's record. Her eyebrows jumped when Carlos Serra, Pipín's IAFD vice president, teased her about it. Her eyes went wide. "Don't say that," she pleaded. "Don't let him hear that. Don't even think that."